Diana Murray Watts

writings

Risk analysis of the self-portrait “Philippe Derchain reading” (1917)

Cecile Douard (1826 – 1899) : beyond sight

Three movie questions

Reflection on the syncretic/intermediate dimension of the film “Loving Vincent”

The question of photography in the work of Hannah Collins

Dear Dier

Everything That Moves

Hirshhorn Museum and Sculpture Garden

The Phillips Collection