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Diana Murray Watts
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essays
A Sentiment of Destruction
The meaning of the collection of the bank ING Belgium
Analysis of a performance of Bruce Nauman’s (1941- ) exhibition in Venice
Anne Bonnet (1908-1960) – The search for a soul
“Eliezer and Rebecca at the Fountain”, stylistic and iconographic study of a painting for the attribution to a Flemish painter of the 16th century
Risk analysis of the self-portrait “Philippe Derchain reading” (1917)
Cecile Douard (1826 – 1899) : beyond sight
Three movie questions
Reflection on the syncretic/intermediate dimension of the film “Loving Vincent”
Hirshhorn Museum and Sculpture Garden
